
I think that
Veronica Mars is the best show on network television and basic cable. First of all, for those who have never seen
Veronica Mars, here's a basic synopsis of what it's about. A high-school/college age girl name Veronica is following in the footsteps of her father who was a sheriff and is now a private investigator by solving crimes and righting misdeeds. Although that synopsis makes it sound like the show has a distinct
Nancy Drew-like quality to it, in fact, there is a lot more to the show than that simple description suggests. First of all, the town where Veronica and her father lives, Neptune, California, is a seething hotbed of class warfare. The rich kids, known as the 09ers (pronounced oh-niners), because of their zipcode, take every opportunity to assert their superiority over the poorer kids at Neptune High School. While the poor kids don't have a particular nickname, there is a biker gang known as the PCHs (whose name comes from the Pacific Coast Highway). Veronica is somewhere in between all of these social circles. Both of her boyfriends over the course of the series have been 09ers, she has been on-again/off-again friends with the leader of the PCHers, Weevil, and her father was disgracefully fired as sheriff of Neptune, which places her socially and economically among the poor kids. The show doesn't treat the class tensions simplistically, however. It's not a case of rich snooty kids picking on helpless poor kids. What it feels most like is a
Greek tragedy. Class and money are not just class and money, they are an extension of fate. Neither is it a question of morality. Rich is not evil and poor is not virtuous. Long-ago wrongs done by the characters and their families flow like ocean currents through the present time, continually pushing people and lives in ways which feel almost uncontrollable. There is a movie director whose work I have an affection for. His name is Todd Solondz, and the last movie he made, in 2004, was
Palindromes. There is a quote from
Palindromes that applies to the inescapability of one's own nature that I'm talking about:
"People always end up the way they started out. No one ever changes. They think they do but they don't. If you're the depressed type now that's the way you'll always be. If you're the mindless happy type now, that's the way you'll be when you grow up. You might lose some weight, your face may clear up, get a body tan, breast enlargement, a sex change, it makes no difference. Essentially, from in front, from behind. Whether you're 13 or 50, you will always be the same."
This inevitably of fate also shows up in the circular nature of the storylines. While cases and crimes get solved, they're never quite over. Always, there is some aspect of a past case coming back to impact a new case. The unknown person who raped Veronica in Season 1 revealed himself in the Season 2 finale and tried to kill Veronica's father. This season, Veronica is working on trying to catch a rapist on her college campus. The murderer of her best friend was caught in the Season 1 finale but was acquitted and returned in Season 2. He was murdered, but Veronica is now dating his son, Logan, who is worried that murder in his genes. Veronica herself seems destined to repeat the same patterns forever. She tried to leave Neptune behind forever and get a scholarship to Stanford, but an 09er used money and influence to get the scholarship instead, so now Veronica goes to the local state college in Neptune. At the start of the series, Veronica and Logan despised each other. They later started dating, but they broke up again in Season 2 and despised each other again. Now, in Season 3, they are a couple once again. Like the characters of Greek tragedy, you feel these people can and deserve to escape their past selves and their troubled family history. They deserve a better future, and you can see how it can happen for them. Just make a few good choices, avoid bad situations, a better life seems within reach. But always, somehow, the fates intervene, and when you look back, it all seems inevitable in retrospect. Of course it was going to happen that way because that is the nature of these characters, the nature of the society in which they live, the nature of the people around them. If it were our own lives, it would be terribly depressing I suppose, but on television, it's powerful. Another genre besides Greek tragedy that
Veronica Mars tries to embrace is
noir. Here is an attempt by French critics Raymond Borde and Etienne Chaumeton to define noir: "We'd be oversimplifying things in calling film noir oneiric [dreamlike], strange, erotic, ambivalent, and cruel...." So far, each of the season-long mysteries on
Veronica Mars have had all of these qualities. They are twisted-up morasses of sex, wrath, child abuse, deeply antisocial behavior. There are shadows everywhere, and you (the viewer, and Veronica) end up assuming the worst of everyone around you before finding the true criminal. Maybe from my description it sounds like watching
Veronica Mars is an experience which varies from tortuous depression to raging despair. In fact, the show itself is kind of bouncy and chirpy on the surface. Veronica likes to be sarcastic and jokey, and the people she spends the most time with tend to share that demeanor. It's only when you've watched several episodes that you realize the deeper resonances of the show. By then you're hooked.