Tuesday, February 27, 2007
Last King of Scotland
Before the assorted mishaps of this last weekend befell me, I managed to go see a movie on Saturday afternoon. I neither mangled my car nor got pre-emptively dumped by a potential date during this movie excursion, so, by the weekend's standards, it was a rousing success. So let's hear it for the movie. Let's give the movie a hand. Maybe it's no Romeo, but it's my love and one-man show.... Er, ahem... The movie I went to see was Last King of Scotland, about Idi Amin's bloody rule of Uganda, told from the perspective of Amin's personal doctor, a Scottish émigré. As anybody who watched or read about the Academy Awards knows, Forest Whitaker won the Best Actor Oscar for his portrayal of Amin in the movie. While I did think Whitaker was awesome-- he really could convince me that his jolly, charasmatic Amin could fool the international community and even those closest to him, like the Scottish doctor, into believing that he had the best of intentions for Uganda and that all rumors of mass torture and death camps are wildly overblown exaggerations-- I didn't much care for the movie. The thing is that, in movies about major historical figures, narrative tends to be forgotten, and the movies become character studies. Character studies are interesting, but you can get the same thing for free (or at least for the price of cable) by watching A&E Biography, or, on the trashier side, E! True Hollywood Story. Those are both fine shows, but a lot of the joy of movies, for me at least, is watching a story unfold. You try to figure out what's going to happen next, what characters will show their best and worst sides, how all the seemingly minor events at the beginning of the movie have unexpected implications later on. What we get from Last King of Scotland are some scenes at the beginning that tell us that Idi Amin seems like a really fun and exciting guy, but then a little bit later we find out he's doing some really bad things. But there's never much of a connection made between the fun, exciting Idi Amin and the violent, murderous Idi Amin. It's just taken for granted that because in real life Amin presumably encompassed all of these conflicting traits in his personality, that we should accept that in the movie as well, without any explanation or attempt at deeper examination. Slightly more damning is that we learn very little about the oppression of Uganda under Amin's leadership. My public-school-educated ass went into the movie thinking that Amin had something to do with the Khmer Rouge and the Killing Fields. By the time the movie was over, I was pretty sure that Idi Amin wasn't part of the Khmer Rouge, but the movie had told me so little about Amin's government that I wasn't completely sure. All the movie did to indicate what happened in Uganda under Amin was to show one scene of a torture prison and one or two scenes of people being chased around the streets by police. Also, I didn't find out until I read the Idi Amin Wikipedia entry after the movie that Amin had strong ties to the Palenstinian Liberation Organization, which is something that certainly would be significant for our times. The movie does show how Amin assisted in the PLO's hijacking of Flight 139, but it's never made clear why he does this. So, in my opinion, Forest Whitaker is unbelievable, but the movie itself fails to be either an interesting story or an informative history lesson. Also, Gillian Anderson, who is a wonderful, underrated actress is wasted in a throwaway role.
Monday, February 26, 2007
I took my car into the body shop today. When I took it in, the guy at the desk asked me, "So what kind of damage do you have?" I told him that the front left fender would definitely need to be replaced; the driver's side door was banged up, but it could open and close just fine, so it might be repairable; and the back left fender had a scrape and dent that didn't look too bad. He went outside with me to take a look at the car. He looked at the front fender and said, "Yeah, that's definitely going to need to be replaced." Then he looked at the door, and he said, "Hmmm, that door's pretty bad, it's probably going to have to be replaced." And then he looked at the back fender, and he said, as he rubbed the dent and shook his head, "Well, we might be able to repair this fender, but I'm guessing Progressive [my insurance company] is going to want to have it replaced." "So basically the whole left side of my car needs to be replaced?" I asked. He said that was pretty much the case. Then I told him that my deductible was $500, and I asked him if he thought the repairs would cost more than that. Boy, he got a good laugh from that one. He told me that the front fender alone would probably cost more than $500. And he was definitely right to laugh. When I got home, there was a message on my answering machine from Progressive telling me my repair estimate. It came out to $3700! Update: I guess I heard wrong on my answering machine; I checked online and the estimate is listed as $2700. I guess it's a good thing I have insurance. The one good thing about the extensive damage is it that it looks, based on the fact that the damage went all up and down the left side of my car, like my car must have been almost stopped during the collision while the other car scraped all along the length of it. I don't really know much of what happened during the accident, since she came up behind me, and I didn't see her car until the last second. Basically what happened is that I was making a left turn into the grocery store parking lot, and just as I was about to make the turn, the woman's car came up from behind me and to the left and slammed into me. I was obviously looking for oncoming traffic as I was about to make the left turn and not looking for someone coming up from behind me and driving on the wrong side of the road, which is more or less what she was doing. But if the damage had been more indicative of a T-bone type accident, that is a big dent at a single point in my car, then she could have argued that she was driving legally and I cut in front of her. However, since the damage is the way it is, it looks like it basically agrees with my story that I just started to turn when she sideswiped me from behind and to the left. We'll see how it turns out, I'm not going get optimistic just yet.

I don't want to bitch and moan about the shittiness of my weekend, but I have another story that does perfectly illustrate the shittiness of my weekend (have I mentioned, by the way, that I had a shitty weekend?). And before I start this story, let me mention that I'm not looking for sympathy, because when I am truly and honestly down about things, I will reach out to those who I know are there for me. What I will not do is post about it on my diary, because I am private about those kinds of things, the kinds of things that can make me really and truly sad The things that happened to me this weekend are stupid and annoying and ridiculous, but not sad, at least not for me. But anyway, the other stupid, ridiculous, annoying thing that happened to me this weekend besides my car accident is that I thought I was going to go out on a date on Saturday with someone I met on match.com, and she ended up blowing me off instead. Last Saturday, she emailed me and asked if I was doing anything that night. And I emailed her back and said, "Hells no I'm not doing anything, let's do something!" And I gave her my phone number to call me. But she thought I had her phone number, and she wanted me to call her, I guess. I don't know. But I didn't have her phone number, so the whole thing fell through. So we kind of decided to do something next time she was back in town. She's a flight attendant, so she's usually out of town for four days a week for work, and then back in town for the other three days. So she came back into town this past Saturday, and I gave her a call, but she wasn't home so I left a message on her voicemail. Shortly afterward, she wrote me a message on match.com telling me that it turns out she didn't have time to date because she was "so busy with work and jury duty." Yeah she really said she was too busy to date because of jury duty. Unless it's 1995 and she's a juror in the O.J. Simpson trial, I'm pretty sure that jury duty lasts at the very most a couple weeks. I don't mind that she blew me off. I just wish she wouldn't have blown me off with such a lame excuse. She could've used a little imagination. "I can't date because I have leprosy-- the bad, contagious kind of leprosy!" That would've been interesting. Or maybe a non-sequitur: "I can't date because I think my dad got abducted by aliens. Either that, or my cat can speak Chinese." A haiku might've been nice. "The sun shining bright / Breathless beauty of life lived / You and I won't date." For the record, I think she really does have jury duty. It's just too random an excuse to come up with out of the blue. I suppose that she figured if she was telling the truth about jury duty, she shouldn't feel bad about blowing me off. Just one of those psychological rationalization-type things we do to make ourselves feel better. Well, not to be completely sour grapes about it, but she's a Mitch Albom fan, and I hate every little bit of the mindless, treacly, syrupiness that defines his work, so it's probably for the best that she blew me off, since I could've kept my intense hatred for Mitch Albom bottled up for only so long.

Sunday, February 25, 2007
My Car After the Wreck My poor car. I was going to the grocery store this morning, and I had a little fender bender. I'm fine, and the lady in the other car didn't get hurt at all, but my car is going to need some body work. It's the first car accident I've been in, in my whole life. Or at least the first accident where anything got damaged. I've spun out on icy roads before but didn't hit anything, and, when I had my learner's permit, I jumped a ditch and ran the car into a hill, but somehow the car was undamaged. I called up my insurance when I got home (neither of us had a cell phone at the accident), and they're doing whatever they do. Hopefully it'll be pretty painless. I'm as sure as I can be that the accident was the other person's fault, but it'll be a he said/she said thing if she disagrees with me, and there were no witnesses who stopped, so we'll see what happens. I'm not even really worried very much about the repair costs; mostly what I want now is just to avoid as much hassle as possible. I already missed out on hiking today. I was going to go out to Section 16, but instead I was on the phone with insurance claims people all afternoon. It especially stinks because it was a really nice day out today. Well maybe next week.
Wednesday, February 21, 2007
It occurs to me that my posts lately have tended to skew more towards the serious side. Typically I go by the credo, "It's my own damn website and I can damn well write what I damn well want. Dammit" But I've noticed that, as a consequence of showing my more serious side, I've lost significant readership. The site has gone from averaging 3 readers a day (not counting myself) all the way down to averaging 2 readers a day (counting myself). I'm afraid that my advertisers (Fred Industries, FJK Oil & Gas, F. J. Kontur Investing, The Kontur Group, and Ford Motor Company) are not going to like that at all. So, today I will "sacrifice my dignity" and "pander to the masses" and "not write a post that sucks", because that's what the ignorant public demands.

Several years ago, I came across some hilarous movie reviews of ET, Wizard of Oz, Star Trek, and Star Wars. What made the reviews so funny? Well, it was because the movies that were being reviewed were not the original versions of these classics. Instead, they were cheap, bizarre, nonsensical Turkish knockoffs. As one of the reviews put it, "Turkish cinema has proven time and time again that whatever we can do, they can do much, much worse." Posted below are links to each of the reviews, all of which come from The Wave Magazine, and some brief excerpts. Enjoy!

Turkish Wizard of Oz:
"The two make fast friends and skip off together. Once they get to a clearing, they start dancing. And oh God, this does not stop. In normal musicals, the songs, although lame, explain areas of the plot. Not in The Turkish Wizard of Oz. Here, the story just stops for 20 minutes so we can watch Dorothy and the Scarecrow jig to instrumental music. The only pause from this is an awkward point in between line dances and curtseys where Dorothy slightly lifts her dress and, if I’m not mistaken, tries to seduce the Scarecrow. He prances a step forward and points toward her crotch, saying what I’m positive is Turkish for, 'I’m not getting anywhere near that horrible thing.' Before long, they hear the muffled voice of the Tin Man, who is rusted in place. The rest of the sequence is similar to the American version, except that while Dorothy is oiling the Tin Man’s joints, the Scarecrow, and I’m deadly serious here, humps him. He just interrupts their rescue attempt to ram his crotch into the Tin Man. They soon skip off to dance."

Turkish Star Wars:
"My next best guess is that they’re hit by lasers since they both fall down when a man in armor shows up. Turkish special effects are not what you’d call an exact art, and here the picture is severely scratched up, which I think indicates a failed attempt at scratching a laser-like beam onto the film itself. They’re captured and taken to a cruel gladiator arena where Darth Vader’s water cooler robot proves its evilness by swinging a screaming child around by its neck. Luke and Han watch for what seriously has to be three solid minutes of noisy kid dangling before they start another karate fight. Darth Vader comes out of a cave, and as soon as he does, most of the rest of the scene is viewed through the eyeholes of his helmet, including shots of Darth Vader himself. This could have been another massively insane mistake by the Turkish production crew, but I like to think it was a profound metaphor about how karate fights make Darth Vader take a careful look at himself, through the evil-shaped helmet eyeholes in his mind."

Turkish E.T.:
"While running from E.T., Elliot sprains his ankle. The next morning, his mother cares for the wound with the ancient Turkish remedy of slapping a steak on it and wrapping the whole thing in toilet paper. Elliot then stays home from school, probably because the smell of rotting meat is emanating from his ankle. He climbs out of bed and limps through the mangled ruin of his house to find E.T. in a doorway. There’s an awkward silence as the two stare at each other, which is suddenly and insanely broken when E.T. launches a blast of smoke from its crotch. I have no idea if this was some sort of miscue with the fog machine or if E.T. comes from a race of creatures that has developed fire-extinguishing groins to be used as greeting devices. Either way, it made me rewind the tape many, many hilarious times."

Turkish Star Trek:
"Spak finally comes to his senses after the evil licking shapechanger leaves, and Kirk is strangely uninterested in why he just tried to kill him. They avoid discussing it as they walk to the next wasteland where they get attacked by 20 Tarzan karate bots. That’s what I said. This sets off a chain reaction of stupidity with naked robots kicking and punching in random directions and Omer almost pulling a face muscle with his mugging. Professor Krater built these robots for love, not karate, so the fight mostly consists of them rushing Kirk and Spak then stopping just short of them to scream 'YAAAHHH!' and dance."

Turkish Exorcist:
"After the doctors rattle her skull at incredible speeds and it fails to remove the satan from it, the girl’s mother calls in a hypnotist. The girl pretends to follow his watch, then with comic timing beyond that of normal non-demons, she punches him square in the balls. He crunches into a standing fetal position that is so well-acted that it’d be impossible to duplicate without actually ramming something dangerous into your groin. The only reason this film didn’t get the full four stars for Comedy is due to the lack of him waddling out of the room and saying something retarded in a high-pitched voice."

Tuesday, February 20, 2007
Notes on a Scandal
I went to see the movie Notes on a Scandal, starring Cate Blanchett and Judi Dench, on Saturday. The theater was packed for the matinee showing. There was one poor guy who was walking up and down the rows looking for a seat, and I finally stopped him and said that I had room to move over and he could sit beside me. There was one seat in between us, and he pointed to it and said, "That seat can be for the young lady." And I, not thinking as per usual, blurted out, "Yeah, we just need to find ourselves a young lady!" To which he replied, "Um, I'm talking about my wife." To be fair, the guy was about 55 years old. What 55 year-old guy calls his wife a young lady? And it wasn't like she was some 25 year-old trophy wife, she was the same age as him. I wouldn't even call a woman my age "young lady". But to each his own I s'pose. They turned out to be really nice people though. Their names were Brook and Pam. She told me that the theater was so packed because the movie got really good reviews in the Colorado Springs Gazette.

The movie is about a British schoolteacher (Cate Blanchett) who has a sexual relationship with one of her 15 year-old students. Another teacher (Judi Dench), a deeply-closeted lesbian loner, uses her knowledge of the relationship to blackmail Blanchett's character into being her close friend. There are so many reasons why this whole plot is just nauseating and hateful. For one thing, cinema has a long and shameful history of portraying queer characters as perverted, violent, and pathological. As this article says:

More cruel than kind, such dramas as "The Sergeant," "The Killing of Sister George" and "The Fox" portrayed gay life as a shadowland of despair and pathology. There was usually a suicide at the end, and the more "questionably" gay protagonist often waltzed off with a straight partner -- "saved" at last.

As Shirley MacLaine's schoolteacher (just moments away from the self-strung noose) succinctly put it to bewildered Audrey Hepburn in "The Children's Hour" (1962), "I've ruined your life and I've ruined my own... Oh, I feel so damn sick and dirty I can't stand it anymore!"

Even if one grants that the "pathological queer" stereotype is no longer as prevalent or as dangerous as it once was, the "demented loner" stereotype is still very much in play in our society. There is a book, Party of One: The Loner's Manifesto by Anneli Rufus. I heard about the book from Catherine; I have yet to read it, but I have been reading a lot about it. The book talks about the extremely negative portrayals of loners that occur all the time in popular culture. It also talks about how loners feel constant pressure to abandon their perfectly happy solitary lifestyle to join groups and become a nonloner. In her description of the book, Rufus says:

Mainstream culture loves nonloners. Joiners, schmoozers, teamworkers, congregants and all those who play well with others scoop up the rewards. Meanwhile, loners get dissed. All the time. At school, at work, at church or temple, in movies, loners are misunderstood, misjudged, loathed, pitied and feared. Reporters and profilers calmly and constantly call us perverts, losers, stalkers and serial killers... Nonloners call loners crazy. Cold. Stuck-up. Standoffish. Selfish. Sad. Bad. Secretive.

Needless to say, I was coming into the movie with a pretty strong bias. But it's still possible to enjoy a movie while loathing its politics. Gone with the Wind, after all, strongly implies that African-Americans were much happier as slaves before the Civil War than they were as free citizens after the war. Notes on a Scandal, however, was a poor movie even if you forget about its politics. The movie is told from the point of view of Dench's character, as, in a voice-over, she reads from her diary entries that describe her innermost thoughts as events progress. This is problematic because we start out knowing that her character is a needy, amoral manipulator who has her sights set on Blanchett's character. This has the effect of sapping all suspense from the plot. We know that this is a movie in which lots of dramatic stuff is going to happen, so we know that the evil, manipulative character is going to be manipulating the pretty, naïve character. The deus ex machina that allows this to occur is the young teacher's affair with her student. There is no particular motivation for this affair to occur. It's presented as if any flighty, pretty, woman teacher who is moderately unhappy with her marriage is bound to have an affair with her student. The movie could have been an entertaining film noir if it had been told from the perspective of the young, pretty teacher. For one thing, there may have been some justification for the disastrous affair, rather than having it just be a plot device. For another thing, Dench's character, the manipulator, would have been seen through the trusting eyes of Blanchett's character. Rather than an evil crone, Dench's character would have appeared as a kindly, older mentor who takes pity on the young, overwhelmed teacher. Later in the movie, when her true evil motives become evident, it would hit the viewer hard, both in the realization of the true nature of Dench's character and in the realization of just what a pickle the young teacher has gotten herself into. Alas, that is not the movie I watched. The movie I watched is a run-of-the-mill, connect-the-dots, pseudo-intellectual pulp horror. More simply, it was a reprehensible, bad, crummy movie.

Monday, February 19, 2007
View of Pikes Peak from Waldo Canyon Trail

Snowy and Icy Section of Waldo Canyon Trail

Fork in Trail
The weather was beautiful this weekend, which was a nice break from the frigid, snowy weather we've been getting for almost this whole winter. I took advantage of the nice weather by going out hiking on the Waldo Canyon Trail just outside of town. When I got to the trailhead, a hiker couple with British accents told me that going counterclockwise around the loop trail would probably be better because there was less snow and ice on the upward slope of the counterclockwise direction compared to the clockwise direction. Even though the temperature was in the high 50s, there was still a lot of snow and ice on the trail. I went counterclockwise, but I was a little worried because the last time I went counterclockwise around the Waldo Canyon Loop, I ended up getting lost and ending up in someone's back yard. In the bottom picture, the one that has an arrow pointing to the right direction on the trail, that's where I got lost. If you're going in the counterclockwise direction, then you're going the opposite direction of that sign. If you keep on going straight on the trail past the sign, then you eventually end up in someone's back yard like I did. What you have to do is to take a sharp left when you see that sign, which I remembered to do this time, luckily. My friend Catherine told me that you're supposed to get special shoes so you don't slip on the ice of the trail. She said the shoes are maybe called "yaks", but I don't know about that. Anyway, I just had my hiking boots, but I did alright. There was one section where I slid and slid down almost ten feet of trail, but I didn't actually fall. All in all, it turned out to be a pretty nice hike. I even saw some deer on the trail. They were running around and hiding behind trees, but I managed to get a picture of one of them. You can see that picture and all of the rest of my pictures from the hike here.
Update: What d'ya know, it turns out Catherine was right. For hiking on slick surfaces, you can buy the Yak Trax Walker 10814 Spikeless Over Shoe Traction Device.
Wednesday, February 14, 2007

Beautiful cover of one of the most romantic songs I know, Van Morrison's "Tupelo Honey". Happy Valentine's Day!


Monday, February 12, 2007
The Queen
Yesterday, I went to see the movie The Queen, directed by Stephen Frears. It's a fictionalized representation of what happened in the household of the royal family during the week between the death of Princess Diana and her funeral. During that week, the Royals were heavily criticized by the British people for making no public statement for a number of days after Di's death and for having virtually no Royalty-sanctioned recognition of her death. At the same time, the newly elected Prime Minister, Tony Blair, was receiving accolades all around for touchingly expressing in his speeches what the public felt in their hearts. This created a tension between Blair, the modernizer, the man of the people, and the Queen, who came of age during the darkest days of World War II and ascended to the throne when Winston Churchill was still Prime Minister. She was taught to endure hardships with stoicism and to show a face of calmness and fortitude to the public. Sorrow and grief were private emotions, to be hidden from the public view. In addition, the dignity and tradition of royalty must be upheld at all costs. When Diana died, she was no longer a member of the royal family, having been divorced from Charles the year before. Because of this, the Queen saw no need for the Royals to participate in the public grieving surrounding the death. In fact, participation by the Royals in the public mourning of Diana would be inappropriate, a vast breach of protocol. The Queen was convinced that the public would eventually come around to seeing the virtue of royal decorum. The public, however, became increasingly outraged at the cold, emotionless attitude of the Royals. Eventually, the Royal family relented and visited the gates of Buckingham Palace, where thousands, maybe even millions of bouquets of flowers had been laid in remembrance of Diana. Immediately after viewing the flowers, the Queen gave a live televised speech expressing her sadness over Diana's death and her understanding of the public's feeling of loss. I felt a lot of sympathy for Queen Elizabeth II in the movie, but the filmmaker, Stephen Frears, in this interview says very clearly that the Royal Family must accept some of the burden for what happened to Diana:
[Prince Charles] and his family are responsible in a lot of ways for what happened to the girl. This is a stupid thing to say, but it seems to me that the marriage was worse than the death. I think they're guilty people. They're grown-ups, and they're supposed to understand these things.
Saturday, February 10, 2007

Hmmm, I've been thinking about how I'm going to talk about what's going on with me on match.com. I'm not hesitant to talk about myself here, obviously, but when you talk about someone else you have to be a little bit diplomatic, which I'm not so good at doing all of the time. Obviously, I won't be using anyone's name unless things start to get serious, but it's not hard to recognize yourself in a description, and anyone who knows my email address can find this website pretty easily. So I don't want someone whom I think I might like coming over here and reading something stupid I wrote and taking it the wrong way. I don't mind embarassing myself here, but other people may not appreciate it as much. Allison did a much better job handling this than I'm sure I will, which is probably one of the reasons why she's married and I'm still single. Anywho, my plan is that if I do mention anything about someone whom I'm currently interested in, it will only be a quick blurb, e.g. "I went on a hiking date today. It was lots of fun." But as for people whom I'm no longer interested in or people who are obviously no longer interested in me, I don't think there's any harm in my giving a more thorough description of what happened with them. And so that leads into the date I went on this Thursday.

This date was with someone who winked at me on match.com about two or three weeks ago. We exchanged a few emails, and we seemed to have a rapport, so I asked her if she wanted to go out for coffee. And for future reference, like Alicia from Season 2 of Survivor who will always be waving her finger in your face, I will always be going out for coffee if I choose what to do on the first date, because I'm unimaginitive like that. Anyway, this woman I went out on a date with, she's a graduate student in psychology. And I got the distinct impression from our date that she suspects that I have mental problems. Not really bad mental problems, but mental problems nonetheless. And while I certainly would never hold myself up as the shining example of mental health, I think I'm doing OK. But anyway, on to the specifics of what happened. So we're sitting there and talking and having our coffee. And the subject of the conversation turns to Arkansas. The state, that is. And I told her about when I moved down from Pennsylvania to Texas for grad school and I had to drive through Arkansas in the middle of the night. And it was the scariest damn drive I've ever been on. (Seriously, if you don't believe me, it's I-40 I think, go out to Arkansas, wait until the middle of the night, and get on it and see what you think). There were no street lights, practically no shoulder on the road, and the forest comes right up to the side of the road, and you're surrounded by huge trees and darkness and swarms of bugs hitting your windshield. When I told that story, she said, "Wow, you're a little bit paranoid about driving aren't you?" And I said "What?" and she said, "Well, you told me that when you were out in San Jose that you were really scared of driving around because you were afraid you would get lost." And the thing is that I do get lost when I drive on strange roads. I also get lost when I'm hiking on strange trails. Getting lost is one of the things I do. So like that old saying goes, you're not being paranoid if it's really happening. Anyway, I said something to that effect, that I'm not really paranoid, I just don't enjoy getting lost or driving down backwoods Arkansas freeways in the middle of the night... Later on in the conversation I mentioned about how I have a lot of trouble sleeping sometimes. The thing is, I'm a very finicky sleeper, so if I don't keep a regular sleep schedule and if I don't sleep in the same bed and if the temperature in my bedroom isn't just right, then I can't sleep. So that's how come whenever I go out camping on the night before I'm going to climb a 14er I pretty much get no sleep. Or even when I stay over at John's and Sheila's on the nights before we hike, I usually don't get much sleep. It's not a major inconvenience in my life, but it's something I have to deal with now and again. Anyway, when I started saying how everything had to be perfect with my bed and bedroom for me to get a decent night's sleep, she said, "Do you have to always have everything really clean in your apartment and arranged perfectly?" I asked, "Do I need to do that to sleep?" , and she said, "No, in general." And I said, "Like a person with obsessive-compulsive disorder." "Not necessarily," she said. But from my expertise on obsessive-compulsive disorder, which is based on watching many episodes of Monk, I know those are classic symptoms. So I said, "No, my apartment doesn't have to be spotless. It gets messy. And then I clean it up. Like a normal person." So yeah, that was my night. I guess there are an infinite number of ways to have a bad date, but I never imagined that I would have to spend a night trying to convince my date that no, in fact, I am not a crazy person. And to be fair, the rest of the conversation was really pleasant besides those couple things. We talked for an hour-and-a-half. I would even probably consider going out again if she asked me. But I don't see that happening, and I'm certainly not going to ask her.

Besides the girl I went out with on Thursday, there's only one other person I've been talking to on Match. And she has visited this website, so I definitely don't want to say anything to mess things up with her. I'll just say that we've exchanged a few emails, and so far so good. Actually, it's not just good, it's been pretty wonderful. But like I said, we've only exchanged emails, so we'll see where it goes from here.

Wednesday, February 7, 2007

My dream wedding (hat tip: Andrew Sullivan):

Tuesday, February 6, 2007
Ofelia and the Faun
I went to see the Spanish film Pan's Labyrinth on Saturday. I don't read about movies as much as I used to, but in the online movie postings I do read I kept catching snippets here and there saying how good a movie Pan's Labyrinth is (for example, the blurb in this Top 10 Movies of 2006 List). It's directed by Guillermo del Toro, whose most famous movie, Hellboy, I reviewed on my short-lived website from several years ago. I did not like the movie at all, and my review finished off with a rant about how Selma Blair is a second-rate Neve Campbell. Despite my bad opinion about Hellboy, I was looking forward to Pan's Labyrinth because it seemed like the kind of movie I would like, a dark children's fable-fantasy. The movie opens in 1944, in the immediate aftermath of the takeover of Spain by Francisco Franco's fascist government. A young girl, Ofelia, is traveling with her mother and an armload of books to the countryside to move in with her new stepfather, a captain in Franco's army who is busy battling a small Republican militia. Ofelia's books are full of fantasy stories and fables, and Ofelia lets the fantasies spill over into her imagination and the reality she experiences. When her mother, who is pregnant with the Captain's child, gets sick on the way to the army base and has to ask the car to stop, Ofelia walks into the forest and sees a large grasshopper which she calls a fairy. Later on that night, after she has moved into the army base and met her cold, tyrannical stepfather, the "fairy" flies into her room and leads her into an ancient maze near the army base. At the center of the maze, she meets a faun, who tells her that she is the long-lost Princess Moanna, daughter of the King of the Underworld. To prove that she has not been corrupted by living among regular mortals, Ofelia has to perform three tasks. First, she has to rid a fig tree of a giant toad which is living in the fig tree's trunk. Next, she has to steal a dagger from the lair of a dangerous creature known as the Pale Man.
The Pale Man
Meanwhile, as Ofelia performs these tasks, her mother experiences dangerous complications with the pregnancy, and Ofelia discovers that her only friend in her new home, a housekeeper named Mercedes, is collaborating with the rebels. The faun gives Ofelia a mandrake root, which he says will heal her mother if Ofelia places the root in a bowl of milk under her mother's bed and feeds it two drops of blood every day. The Captain, by torturing a captured rebel, gets information that there is a Republican collaborator in his household. The Captain's knowing this endangers Mercedes, who is the collaborator, and, by association, Ofelia. The final half of the film deals with Mercedes trying to survive around the increasingly suspicious Captain, Ofelia's mom struggling to stay healthy through her difficult pregnancy, the Captain trying to defeat an increasingly persistent rebel force, and Ofelia in the middle of the maelstrom, trying to complete her final task and become a Princess. This movie was exciting and scary and heartbreaking. I feel like children's movies, or movies about children, are on average much more enjoyable than adult films. One of my favorite movies is Children of Heaven, an Iranian children's movie that came out in 1997. It's about a little boy who loses his sister's shoes. And that's pretty much the plot. I guess that's one of the reasons I like children's movies so much. They don't get bogged down in complicated plots, stupid special effects, romantic subplots, and all of the other things that turn otherwise good movies into slogs. They also indulge in the things that make movies fun - imagination, fantastic scenarios, valiant heroes and dangerous villains. Wizard of Oz, another of my favorite movies, has all of those elements. The Iron Giant, another great movie, is an animated feature about a giant robot who befriends a little boy. All of these movies are just so full of crazy, absurd stories and wonderful flights of fancy. Even more mainstream children's movies, like Shrek and Toy Story, are better than 95% of the non-children's movies that make it to the theater....
Ofelia
On another subject, but related to Pan's Labyrinth, some friends and I were talking about the best baby names. And one of my favorite girl names is Ophelia. So I guess I was predisposed to like the heroine of Pan's Labyrinth. Another girl name I've always liked is Caddy, which is short for Candace and comes from William Faulkner's The Sound and the Fury. Unfortunately, Caddy in the novel has a rather miserable life, and, also unfortunately, if you want to name your daughter Candace, people will be much more likely to shorten it to "Candy" rather than "Caddy". And Candy is not a name I like at all. As for a boy's name, I've always ever had one picked out - Frederick. When I said that, the friends I was talking to said "Ughhh", which is the usual reaction I get when I tell people I would name my hypothetical son Frederick. I guess it's gauche nowadays to name your kid after yourself. If that's the case, then color me gauche. I've always liked being named after my dad, and I'd like my son to share a name with his pop. And the name Frederick means "gentle ruler", which is a pretty cool meaning for a name. But based on most people's reactions when I've mentioned the name as a good boy's name, I've always assumed that my hypothetical wife would nix the name Frederick for my hypothetical son, so I don't have my heart set on it.
Monday, February 5, 2007
A few months ago, I wrote a post about a hiking trip I went on with a person I know from work. I'm not going to link to the post because I was in a very annoyed mood when I wrote it, and I was more mean-spirited than I should have been. But the gist of what I wrote in the post was that the person offered me lots of unwanted advice about what I needed to do to meet women. And the whole conversation was interminable. I heard about how Colorado Springs was a crummy place to meet women, and how I needed to go to Denver if I wanted to meet women. This was without me saying one word about trying or wanting to meet women, in or out of Colorado Springs. I was even more annoyed because my brother's wedding was coming up, which was something I was totally hyped for, but I knew inevitably that I was going to hear at least a few comments about how it was about time for me to meet someone because I needed to be the next one to walk down the aisle. What annoyed me to no end was the idea behind all of this that there was something wrong with me because I was single and that I need to be solving this problem by meeting some woman, any woman, anywhere. Because it is a desperate situation. Because being single is such a terrible thing. In my original post, I linked to this article, entitled Single and Satisfied, and posted the following quotations from the article:

What's wrong with being single? A whole lot if you go by what you see around you. Whether you visit a bookstore or a library, watch television, go to the movies, listen to friends and family, adopt the values of society, or read the newspaper, messages about couplehood prevail. Little is spoken about being single, except as a condition to avoid like the plague.

...

(B)eing single affords each of us the opportunity to discover who we are, what we do and don't like, how we deal with things, what we want out of life, what our expectations are, what our potentials and limitations are, what energizes and empowers us, and what discourages and disappoints us. The goal of being alone should not be to prepare us for couplehood. Rather, the goal of being single should be to learn to fulfill ourselves, to meet our needs, and to develop as a human being regardless of whether or not we choose to enter into a relationship. By learning to love and care for ourselves, we diminish the risk of starving for someone else to fill the void within our souls; a void that only we can truly fill. The purpose of entering into a relationship should be to share oneself with another person as opposed to trying to get from someone what is lacking in ourselves. Expecting someone else to fill in the gaps usually results in grave disappointments , a sense of failure, and endless resentment.

Anyway, I say all of that as a lead-in to mentioning that I now have a profile posted at match.com. So obviously I'm a terrible hypocrite. I hate being single. Being single sucks. No, I don't really think that, but a couple of things happened to me in the last month to make me think that while there's nothing wrong with being single, there's also nothing wrong with putting a little bit of effort into meeting people. The first thing that happened was when Tiffany helped me out at Denver International Airport when I was flying home for Christmas. My first instinct, which I think is a result of my INTJ nature, is that meeting new people is painful and tedious and involves hours upon hours of small talk about the weather and hobbies and it's just so painful for me to even think about it. And when I do think about that and have that pain, I end up forgetting that I sometimes display a strange talent for meeting new people and enjoying myself around them and generally having a good time. And although there were many aspects of my Denver airport experience that most certainly were not a good time, meeting Tiffany and hanging out with her was pretty fun. And I did all of it without even realizing I was doing it, which kind of showed me that I need to get out of my head a little more and stop thinking so much about wanting or not wanting to meet people and just letting it happen. The other thing that happened to me that made me decide to try out match.com was my experience on this past New Year's Eve. When I was over Sheila's aunt's house for Thanksgiving, Sheila's cousin invited me to spend New Year's Eve with her and her friends in Denver. I said yeah that sounded nice. Well I said it kind of half-assedly since New Year's Eve was still over a month away. I thought that John and Sheila were going to be going up to Denver as well for this shindig, so I figured that it'd be no problem tagging along with them. But when New Year's Eve day came, I called up John and Sheila and found out that, number one, they weren't going up to Denver for the party and, number two, that the party wasn't going to be a party at someone's house or at a hotel room, that it was going to be a club-hopping party. And the thing is, I'm not not interested in club-hopping, but I'm at an age now where I hear the words club-hopping and I let out an exasperated sigh. Going to one club is loud, crowded, and expensive enough for me. I don't really need to have the experience multiplied. So, I found myself on New Year's Eve intensely disappointed that I wasn't going to be doing something that I didn't really want to do and disappointed that I wasn't going to be hanging out with people whom I didn't really know. And I said to myself that maybe it was time to try to socialize with new people and to maybe not be so stubborn and full of myself. So, I decided to give match.com a chance. One of the reasons that my hiking friend gave for Colorado Springs being such a bad place to meet women is that the presence of multiple military bases skews the man/woman ratio so that there's many more single men compared to single women. And the first few weeks I was on Match, I got the impression that the women were extremely uninterested in me. I sent out a few messages, but didn't get any replies, and nobody was looking at my profile either. So, I would like you to take a few moments right now to have your own personal pity party for sad, sad lonely me. OK, now that that's over, I'll give you the happier news that I have gotten a few replies, and I'm starting to get cautiously optimistic about the whole thing. Whenever I am at an important formal event with my old friends from Pennsylvania, a wedding or graduation or something like that, one of them always says, "Please everyone try your best not to make a total debacle of this whole thing." So I'm trying to follow that advice and not make a total debacle of the whole thing. Well, not exactly, I'm not that worried about it, but I am trying to do my best to just get to know people without, on the one hand, falling madly in love with someone just because she is pretty and says or does something that gets me all butteryfly-y in my stomach, because I do have a tendency to do that and it never works out well, or, on the other hand, dismissing someone for silly or superficial reasons. So, we'll see how it goes.
Sunday, February 4, 2007
I wanted to write this post yesterday, but I went to a movie, Pan's Labyrinth, in the late afternooon, and, when I got home, I was just dead exhausted. I'm not sure why; I guess it's been a long week. Anyway, the movie was wonderful, but it was also very melancholy. I'll talk more about it sometime in the next few days, but it's basically about a little girl trying to cope with life in the aftermath of the Fascist takeover of Spain by filling her imagination with fairytales. Anyway, I was in a blue mood when I got home, and I wanted to indulge my mood by listening to sad songs. One of the saddest songs I've ever heard is a Spanish-language version of Roy Orbison's "Crying" called "Llorando", sung by Rebekah Del Rio in the David Lynch movie Mulholland Dr. I also listened to the original, and I'm not sure which one I like more. I think I might like the Roy Orbison version better, even though Rebekah Del Rio has an amazing singing voice. Anyway, if you have a five octave singing range like me (when I'm in my favorite place, Fred's Fantasyland), and you want to sing along, here are the lyrics. The Spanish version is not an exact translation of the English version:

I was all right for a while Yo estaba bien por un tiempo
I could smile for a while Volviendo a sonrier
But I saw you last night Lluego anoche te vi
You held my hand so tight Tu mano me tocó
As you stopped to say hello Y el saludo tu voz
Oh, you wished me well Y hablé muy bien de tu
You couldn't tell Sin saber que he estado
That I'd been crying over you Llorando por tu amor
Crying over you Llorando por tu amor
When you said so long Luego de tu adiós
Left me standing all alone Senti todo mi dolor
Alone and crying, crying Sola y llorando, llorando
Crying, crying Llorando, llorando

It's hard to understand No es fácil de entender
But the touch of your hand Que al verte otra vez
Can start me crying Yo seguiré llorando
I thought that I was over you Yo que pensé que te olvidé
But it's true, so true Pero es verdad, es la verdad
I love you even more Que te quiero aún más
Than I did before Mucho más que ayer
But, darling, what can I do? Dime tú qué puedo hacer
For you don't love me No me quieras ya
And I'll always be crying over you Y siempre estaré llorando por tu amor
Crying over you Llorando por tu amor

Yes, now you're gone Tu amor se llevó
And, from this moment on Todo mi corazon
I'll be crying, crying Y quedo llorando, llorando
Crying, crying Llorando, llorando
Yeah, crying, crying Llorando, llorando
Over you Por tu amor